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Initiated in 1946 by Wolfgang Steinecke, the Internationale Ferienkurse für Neue Musik, Darmstadt (Darmstadt International Summer Courses for New Music), held annually until 1970 and subsequently every two years, encompass both the teaching of composition and interpretation and include premières of new works. After Steinecke's death in 1961, the courses were run by Ernst Thomas (1962–81), Friedrich Ferdinand Hommel (de) (1981–94), Solf Schaefer (1995–2009), and Thomas Schäfer (2009-). Thanks to these courses, Darmstadt is now a major centre of modern music, particularly for German composers. Many distinguished lecturers appeared at Darmstadt. Amongst them are Theodor W. Adorno, Milton Babbitt, Luciano Berio, Pierre Boulez, John Cage, Christoph Caskel (de), Morton Feldman, Wolfgang Fortner, Severino Gazzelloni, Alois Hába, Hans Werner Henze, Hermann Heiss, Lejaren Hiller, Rudolf Kolisch, Aloys Kontarsky, Ernst Krenek, René Leibowitz, György Ligeti, Bruno Maderna, Olivier Messiaen, Luigi Nono, Siegfried Palm, Henri Pousseur, Heinz Rehfuss, Wolfgang Rihm, Hermann Scherchen, Eduard Steuermann, Karlheinz Stockhausen, David Tudor, Edgard Varèse, Friedrich Wildgans (de), and Iannis Xenakis . However, according to one source, although Messiaen paid "a brief visit" to the courses in 1949, "he neither taught students nor lectured" there . During the late 1950s and early 1960s the courses were charged with a perceived lack of interest on the part of some of its zealot followers in any music not matching the uncompromisingly modern views of Pierre Boulez—the "party subservience" of the "clique orthodoxy" of a "sect", in the words of Dr. Kurt Honolka, written in 1962 in an effort to "make the public believe that the most advanced music of the day was no more than a fancy cooked up by a bunch of aberrant conspirators conniving at war against music proper" . This led to the use of the phrase 'Darmstadt School' (coined originally in 1957 by Luigi to describe the serial music being written at that time by himself and composers such as Boulez, Maderna, Stockhausen, Berio, and Pousseur) as a pejorative term, implying a "mathematical," rule-based music. ==References== * * * * 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Darmstädter Ferienkurse」の詳細全文を読む スポンサード リンク
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